Bogle, D. (1990). Movies In D. Bogle (Ed.), Black arts annual 1988/1989 (pp. 171-202). New York: Garland.
5.
Bone, R. (1970). Ralph Ellison and the uses of the imagination In J. M. Reilly (Ed.), Twentieth century interpretations of Invisible Man: A collection of critical essays (pp. 22-31). Englewood Cliffs, NJ: Prentice Hall.
6.
Brewer, J.M. (1972). Introduction In H. D. Spalding (Ed.), Encyclopedia of Black folklore and humor (pp. xi-xii). Middle Village, NY: Jonathan David.
7.
Burke, K. (1984). Attitudes toward history (3rdrev.ed.). Berkeley: University of California.
8.
Corliss, R. (1989, July 3). Hot time in Bed-Stuy tonight [Review of the film Do the right thing]Time, p. 62.
9.
Dance, D.C. (1978). Shuckin' and jivin': Folklore from contemporary Black AmericansBloomington: Indiana University Press.
10.
Ellison, R. (1964). Shadow and actNew York: Random House.
11.
Ellison, R. (1989). Invisible ManNew York: Random House. (Work originally published 1952)
12.
Fraiberg, S. (1970). Two modem incest heroes In J. M. Reilly (Ed.), Twentieth century interpretations of Invisible Man: A collection of critical essays (pp. 73-79). Englewood Cliffs, NJ: Prentice Hall.
13.
Fulkerson, R.P. (1979). The public letter as a rhetorical form: Structure, logic, and style in King's "Letter from Birmingham Jail."Quarterly Journal of Speech, 65, 121-136.
14.
Garner, T. (1983). Playing the dozens: Folklore as strategies for livingQuarterly Journal of Speech, 69, 47-57.
15.
Gates, H.L., Jr. (1984a). The Blackness of Blackness: A critique of the sign and the signifying monkey In H. L. Gates, Jr. (Ed.), Black literature and literary theory (pp. 285-321). New York: Methuen.
16.
Gates, H.L., Jr. (1984b). Criticism in the jungle In H. L. Gates, Jr. (Ed.), Black literature and literary theory (pp. 1-24). New York: Methuen.
17.
Gibson-Hudson, G. (1992). African American folklore and cultural history in the films of Spike Lee In H. C. Hudson (Ed.), Spike Lee and commentaries on his work (Afro-American Studies, Occasional Papers, series 2, no. 1 p. 3). Bloomington: Martha C. Kraft Professorship, Indiana University.
18.
Grant, M.A. (1970) The ancient rhetorical theories of the laughable: The Greek rhetoricians and CiceroMadison: University of Wisconsin Studies in Language and Literature (Work originally published 1924).
19.
Horowitz, E. (1970). The rebirth of the artist In J. M. Reilly (Ed.), Twentieth century interpretations of Invisible Man: A collection of critical essays (pp. 80-88). Englewood Cliffs, NJ: Prentice Hall.
20.
Hudson, H.C. (1992). Foreword In H. C. Hudson (Ed.), Spike Lee and commentaries on his work (Afro-American Studies, Occasional Papers, series 2, no. 1, p. 3). Bloomington: Martha C. Kraft Professorship, Indiana University.
21.
Jackson, B. (1973). The Harlem renaissance In L. D. Rubin, Jr. (Ed.), The comic imagination in American literature (pp. 295-303). New Brunswick, NJ: Rutgers.
22.
Jahn, J. (1968). Neo-African literature: A history of Black writingNew York: Grove.
23.
King, M.L., Jr. (1986). Letter from Birmingham City Jail In J. M. Washington (Ed.), A testament of hope: The essential writings of Martin Luther King, Jr. (pp. 289-302). San Francisco : Harper. (Work originally published 1963)
24.
Lanier-Seward, A. (1987). A film portrait of Black ritual expression: The blood of Jesus In G. Gay & W. L Baber (Eds.), Expressively Black: The cultural basis of ethnic identity (pp. 195-212). New York: Praeger.
25.
Lee, R.F. (1991). The rhetorical construction of time in Martin Luther King, Jr.'s "Letter from Birmingham Jail."The Southern Communication Journal, 56, 279-288.
26.
Lee, S. (with L. Jones). (1989). Do the right thing: A Spike Lee jointNewYork: Fireside.
27.
Mandia, P.M. (1991). Comedic pathos: Black humor in Twain's fictionJefferson,NC: McFarland.
28.
McMillan, T., Bambara, T.C., George, N., Johnson, C., & Gates, H.L. Jr. (1991). Five for five: The films of Spike LeeNew York: Stewart, Tabori, & Chang.
29.
Novak, R. (1989, July 3). Do the right thing [Review of the film Do the right thing]People, pp. 13-14.
30.
O'Daniel, T.B. (1970). The image of man as portrayed by Ralph Ellison In J M. Reilly (Ed.), Twentieth century interpretations of Invisible Man: A collection of critical essays (pp. 89-95). Englewood Cliffs, NJ: Prentice Hall.
31.
Patterson, A. (1992) Spike LeeNew York: Avon.
32.
Rapp, A. (1951). The origins of wit and humorNew York: E. P. Dutton.
33.
Reilly, J.M. (1970). Introduction In J. M Reilly (Ed.), Twentieth century interpretations of Invisible Man: A collection of critical essays (pp. 1-9). Englewood Cliffs, NJ: Prentice Hall.
34.
Rovit, E.H. (1970) Ralph Ellison and the American comic tradition In J. M. Reilly (Ed.), Twentieth century interpretations of Invisible Man: A collection of critical essays (pp. 56-63). Englewood Cliffs, NJ: Prentice Hall.
35.
Schafer, W.J. (1970). Irony from the underground: Satiric elements in Invisible Man In J. M. Reilly (Ed ), Twentieth century interpretations of Invisible Man (pp. 39-47). Englewood Cliffs, NJ: Prentice Hall.
36.
Schechter, W. (1970). The history of Negro humor in AmericaNew York: Fleet.
37.
Snow, M. (1985). Martin Luther King's "Letter from Birmingham Jail" as Pauline EpistleQuarterly Journal of Speech , 71, 318-334.