Abstract
If we want some clarity about the relation of the arts to the Holy Spirit of the Christian faith, it is wise to let the arts have proper space to operate theologically. The remarkable poem by George Herbert, “Ephes. 4. 30,” along with material from some of his other poems, gives a fair sense of what Herbert would have assumed about the relation of the arts to the third person of the Trinity, and is especially enlightening for the theology–arts discussion today.
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