The harmonization of information systems that characterizes this fourth stage of the information society has made possible new types of threats to cultural rights such as the right to create. Here these new threats as experienced by avant garde and traditional artists are explored, with attention to the restriction of speech rights by differential application across the information production chain, the paradox of the simultaneous loss of belief in the possibility of creativity and the commodification of innovative processes and products, the effects of computerization of innovative activity, and new legal approaches to the treatment of non-linear behaviours.
Baudrillard, Jean (1983) Simulations. New York: Semiotext(e).
2.
Benjamin, Walter (1976) `The Storyteller and Artisan Cultures', pp. 227-300 in Paul Connerton (ed.) Critical Sociology: Selected Readings. Harmondsworth: Penguin.
3.
Braman, Sandra (1988) `Information Policy and the United States Supreme Court', unpublished PhD Dissertation, University of Minnesota.
4.
Braman, Sandra (1991) `Contradictions in Brilliant Eyes', Gazette47(3): 177-194.
5.
Braman, Sandra (1993) `Harmonization of Systems: The Third Stage of the Information Society', Journal of Communication43(3): 133-140.
6.
Braman, Sandra (1996a) `Art in the Information Economy', Canadian Journal of Communication21: 179-196.
7.
Braman, Sandra (1996b) From Virtue to Vertu to the Virtual: Art, Self-Organizing Systems, and the Net', Readerly/Writerly Texts3(2): 150-165.
8.
Braman, Sandra (1996c) `Staking the Claim: Expanding the Domain of Intellectual Property Rights for Arts and Artists in the Network Economy', paper presented to the Modern Language Association, Washington, DC, December.
9.
Braman, Sandra (1997) `Economie de l'information: une évolution des approches', in Anne Mayere (ed.) La Société de l'information: enjeux sociaux et approches économiques, Vol. 2: Pour une `mise a jour' de la théorie orthodoxe de l'information. Paris: Editions l'Harmattan.
10.
Braman, Sandra (in press) `The Information Economy: An Evolution of Approaches', in Stuart MacDonald (ed.) Information and Organisation. Amsterdam: Elsevier.
11.
Davis, Lennard (1983) Factual Fictions: The Origins of the English Novel. New York: Columbia University Press.
12.
Enzensberger, Hans Magnus (1974) The Consciousness Industry: On Literature, Politics and the Media. New York: Seabury Press.
13.
Enzensberger, Hans Magnus (1992) Mediocrity & Delusion. New York: Verso.
14.
Geertz, Clifford (1983) Local Knowledge: Further Essays in Interpretive Anthropology. New York: Basic Books.
15.
Greenfeld, Liah (1992) Nationalism: Fire Roads to Modernity. Cambridge, MA: Harvard University Press.
16.
Miege, Bernard (1987) `The Logics at Work in the New Cultural Industries', Media, Culture & Society9(3): 273-290.
17.
van Staden, Christo (in press) `The Uses of Culture in African Contexts', in P. H. Coetzee and A. P. J. Roux (eds) Philosophy from Africa. Johannesburg: ITP and Routledge.
