This study explores 11 years of content in three well-circulating Croatian newspapers, Vjesnik, Slobodna Dalmacija and Feral Tribune. Utilizing framing theory, the author examines how the three papers differed in their presentation of the Croatian government from 1990 through 2000. Using a sample of 1400 articles, the use of specific frames and the presentation of antagonists and protagonists in the articles’ content are examined.
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