BantiAnnaArtemisia (1947), trans. CaraccioloShirley D'Ardia. Lincoln and London: University of Nebraska Press, 1988.
3.
BantiAnnaCorte Savella. Milan: Mondadori, 1960.
4.
BantiAnna“Manzoni e Noi.” In Opinioni. Milan: Il Saggiatore, 1961.
5.
BantiAnna“Romanzo e romanzo storico.” In Opinioni. Milan: Il Saggiatore, 1961.
6.
BirnbaumLucia Chiavola. Liberazione della donna: Feminism in Italy. Middletown, Conn.: Wesleyan University Press, 1986.
7.
BroudeNormaGarrardMary D., eds. Feminism and Art History. New York: Harper and Row, 1982.
8.
BurckhardtJacob. Civilization of the Renaissance in Italy (1860), trans. SymondsJohn Addington. New York: The Modern Library, 1958.
9.
FergusonMargaretQuilliganMaureenVickersNancy, eds. Rewriting the Renaissance: The Discourses of Sexual Difference in Early Modern Europe.
10.
FineElsa Honig. Women and Art. A History of Women Painters and Sculptors from the Renaissance to the Twentieth Century. Montclair, N.J. and London. Allenheld and Schram /Prior, 1978.
11.
GarrardMary D.Artemisia Gentileschi: The Image of the Female Hero in Italian Baroque Art. Princeton: Princeton University Press, 1989.
12.
GreerGermaine. The Obstacle Race: The Fortunes of Women Painters and Their Work. New York: Farrar Straus Giroux, 1979.
13.
HarrisAnn SutherlandNochlinLinda. Women Artists: 1550 1950. L.A. County Museum of Art. New York: Alfred A. Knopf, 1976.
14.
HeilbrunCarolyn. Writing a Woman's Life. New York: Ballantine Books, 1988.
15.
HellerDeborah. “History, Art and Fiction in Anna Banti's Artemisia.” In Contemporary Women Writers in Italy: A Modern Renaissance, ed. AricoSanto L.. Amherst: The University of Massachusetts Press, 1990: 45–62.
16.
HufLinda. A Portrait of the Artist as a Young Woman: The Writer as Heroine in American Literature. New York: Frederick Ungar Publishing Co., 1983.
17.
JonesSuzanne W., ed. Writing the Woman Artist: Essays on Poetics. Politics. and Portraiture. Philadelphia: University of Pennsylvania Press, 1991.
18.
KelleyJoan. “Did Women Have a Renaissance?”In Women. History and Theory: The Essays of Joan Kelly. Chicago: University of Chicago Press, 1984.
19.
LonghiRoberto. “Gentileschi Padre e figlia.”L'Arte19: 245–314.
20.
MarainiDacia. La lunga vita di Marianna Ucrìa. Milan: Rizzoli, 1990.
21.
Milan Women's Bookstore Collective.Sexual Difference: A Theory of Social Practice, ed. de LauretisTeresa. Bloomington: Indiana University Press, 1991.
22.
NozzoliAnna. Tabù e coscienza. La condizione femminile nella letteratura italiana del Novecento. Florence: La Nuova Italia, 1978.
23.
MigielMarilynSchiesariJuliana. Refiguring Woman: Perspectives on Gender and the Italian Renaissance. Ithaca: Cornell University Press, 1991.
24.
SpacksPatricia. “Selves in Hiding.” In Women's Autobiography. ed. JelinekEstelle C.. Bloomington: Indiana University Press, 1980: 112–32.
25.
StewartGrace. A New Mythos: The Novel of the Artist as Heroine 1877- 1977. Montreal: Eden Press, 1981.
26.
TuftsEleanor. Our Hidden Heritage: Five Centuries of Women Artists. New York, London and Toronto: Paddington Press, 1974.
