AagerstounM.J., and AutherE., 2006. Considering feminist activist art. NWSA Journal, 19(1), pp. vii–xiv.
2.
AntoinetteM., 2007. Deterritorializing aesthetics: international art and its new cosmopolitanisms, from an Indonesian perspective. In JurriënsE., and de KloetJ., eds. Cosmopatriots: On Distant Belongings and Close Encounters.Amsterdam: Editions Rodopi B.V., pp. 205–233.
3.
BaumgardnerJ., and RichardsA., 2000. ManifestA.New York: Farrar, Straus and Giroux.
BloomL., 2003. Creating transnational women's art networks. In JonesA., ed. The Feminism and Visual Culture Reader.London and New York: Routledge, pp. 18–21.
6.
CarroliL., 2014. Relational acts: art, commoning and sustainability. Artlink, 34(4), pp. 45–49.
7.
ChicagoJ., 1979. The Dinner Party.Ceramic, porcelain, textile. Through the flower: the dinner party, held at San Francisco Museum of Modern Art, 14 March–17 June. San Francisco.
8.
ColemanG., and RippinA., 2000. Putting feminist theory to work: collaboration as a means towards organizational change. Organization, 7(4), pp. 573–587.
9.
Eating the Universe, 2009. Exhibition held at Kunsthalle Düsseldorf, 28 November–28 February. Düsseldorf.
Gardner-HuggettJ., 2012. Artemisia challenges the elders: how a women artists’ cooperative created a community for feminism and art made by women. Frontiers: A Journal of Women Studies, 33(2), pp. 55–75.
12.
Green FrydV., 2007. Suzanne Lacy's Three Weeks in May: feminist activist performance art as “expanded public pedagogy”. NWSA Journal, 19(1), pp. 23–38.
13.
Harvest, 2014. Exhibition held at Gallery of Modern Art, 28 June–21 September. Brisbane.
14.
HenryA., 2005. Solitary sisterhood: individualism meets collectivity in feminism's third wave. In RegerJ., ed. Different Wavelengths: Studies of the Contemporary Women's Movement.New York: Routledge, pp. 81–96.
15.
HooksB., 1995. Women artists: the creative process. In HooksB., ed. Art on My Mind: Visual Politics.New York: The New York Press, pp. 125–132.
16.
JaarsmaM., 1998. Pribumi Pribumi. Street performance. Malioboro street in front of the presidential Palace Gedung Agung, 3 July. Yogyakarta.
17.
KrasnyE., 2009. With the kitchen in mind. In HolzheyM., BuschmannR., GroosU., and ErmacoraB., eds. Eating the Universe: Mom Essen in der Kunst.Köln: DuMont Buchverlag.
18.
LacyS., and PruessL., 1979. International Dinner Party. Happening performance. The dinner party, held at San Francisco Museum of Modern Art, 14 March. San Francisco.
19.
LEVEL, 2012. Food for Thought. Series of talks, workshops and dinners. Next wave festival, held at Footscray Community Arts Centre, 19–27 May. Melbourne.
20.
LEVEL, 2013. We Need to Talk. Feminist picnic. War is over (if you want it!): Yoko Ono, held at Museum of Contemporary Art, 24 November. Sydney.
21.
LEVEL, 2013–ongoing. We Need to Talk. Series of workshops and feminist picnics.
22.
LEVEL, 2014. We Need To Talk (Recipe for a Revolution). Feminist picnic. Harvest, held at Gallery of Modern Art, 29 June. Brisbane.
23.
LEVEL, 2015. Recipe for a Revolution. Text work. F generation: feminism, art, progressions, held at George Paton Gallery, 7–16 October. Melbourne.
24.
MacNeillK., 2008. When historical time meets Julia Kristeva's women's time: the reception of Judy Chicago's The Dinner Party in Australia. Outskirts Online Journal, May. Available at: http://www.outskirts.arts.uwa.edu.au/volumes/volume-18/macneil [last accessed 2 November 2016].
25.
SchapiroM., 1972. The education of women as artists: Project Womanhouse. Art Journal, 31(3), pp. 268–70.
26.
SmithS., 2012. Feast: Radical Hospitality in Contemporary Art. Exhibition held at Smart Museum of Art, 16 February–10 June. Chicago.
27.
SmithS., 2013. Feast: Radical Hospitality in Contemporary Art.Chicago: University of Chicago Press.
28.
SpringerK., 2005. Strong black women and black feminism: a next generation?’ In RegerJ., ed. Different Wavelengths: Studies of the Contemporary Women's Movement.New York: Routledge, pp. 3–21.