24:I[63208,["8920","static/chunks/8920-efbff8517d590b7e.js","9097","static/chunks/9097-7e60ff382fede0de.js","5914","static/chunks/5914-356082358a498a0b.js","9903","static/chunks/9903-11222066602aad8e.js","5438","static/chunks/5438-cfc6cd3ec63ed58c.js","3851","static/chunks/3851-d9d99b9df58ccefb.js","4621","static/chunks/4621-60797c2425663d2a.js","6871","static/chunks/6871-85cb03c97585f46a.js","6736","static/chunks/6736-932312a004c99faf.js","4550","static/chunks/4550-0bf059e3050c08b3.js","688","static/chunks/688-a6a2ac7bff269cd3.js","3984","static/chunks/3984-063c0b62f32133c7.js","7038","static/chunks/7038-4f87670d4e55ef18.js","9039","static/chunks/9039-75366c62dc7d0d0e.js","4563","static/chunks/4563-ad980d1babbf7b0b.js","6761","static/chunks/6761-0c10d1446de7ae1c.js","744","static/chunks/744-1e76229abb9e297b.js","7342","static/chunks/7342-1586df78600bf911.js","3617","static/chunks/3617-1f62a097637f4747.js","5895","static/chunks/5895-caa6c774914eb108.js","7481","static/chunks/7481-3b84c503a2ebfb3f.js","3668","static/chunks/3668-7dab69e4121c33af.js","39","static/chunks/39-e93a27d0920e6d92.js","2881","static/chunks/2881-445cc2384af2c6f9.js","2364","static/chunks/2364-e83d52fb21729d99.js","3208","static/chunks/3208-e65462d166bd3688.js","7582","static/chunks/app/toc/%5Btla%5D/%5Bvolume%5D/%5Bissue%5D/page-694a0e465c2c1334.js"],"default"] 25:T529,

Using data from a six-month qualitative study, this article examines how four secondary Social Studies teachers made meaning of music, and how those perspectives informed their pedagogical choices regarding music in their classrooms. Specifically, this article analyzes three ways the teachers talked about, viewed and incorporated music in their classrooms in terms of: (a) specific activities using music; (b) reasons for using music in the classroom; and (c) the extensive usage of 20^th century American music. We found that a majority of the teachers used music as either a creative assignment or as a primary source document. Additionally, we found that a majority of the teachers reason that music’s place in the Social Studies context is either as a way to capture students’ attention or as a form of historical contextualization. Lastly, we found that all of the teachers gravitated towards using 20^th’ century American music. However, we found that the teachers exhibited an over-reliance on 20^th century American music to the exclusion of other genres and periods of music. We contend that extensive usage of 20^th century American music results from lack of professional training and a lack of acknowledgement of the importance of music in the classroom.

26:T4e1,

This collective case study examined how three educators (a high school social studies teacher, a university social studies teacher educator, and minister teaching an adult population) used a multimedia based curriculum guide, “Teaching the Levees”, to teach about climate change to examine public priorities in relation to the environment. Specifically, we examined the three educators’ pedagogy using an ecojustice theoretical framework, which focuses on the Earth in relation to extreme weather events associated with climate change, fossil fuel dependency, human illness and death linked to changing global temperatures, and the loss of tens of thousands of species. During their instruction, the educators focused on aspects of civic engagement, in an effort to critically examine climate change problems, as well as to conceive of possible solutions.

Upon using the “Teaching “The Levees” curriculum guide, the three educators also came to believe that climate change was one of, if not the most important public policy issue of the 21st century. As such, they often encouraged learners to consider being part of an emerging social movement which addressed contemporary climate change oriented problems and solutions.

27:T43a,

This study investigated the influence of cross-cultural learning experiences on Korean preservice social studies teachers’ global perspectives