Reviews: Transporting Chaucer,Shakespeare's Princes of Wales: English Identity and the Welsh Connection,Shakespeare and the English-Speaking Cinema,Forensic Shakespeare,Milton,Toleration,and Nationhood,the Author's Hand and the Printer's Mind,Imagining Women Readers,1789–1820: Well-Regulated Minds,Emotional Lexicons: Continuity and Change in the Vocabulary of Feeling 1700–2000,William Blake in the Desolate Market,Romantic Englishness: Local,National,and Global Selves,1780–1850,Experimental Life: Vitalism in Romantic Science & Literature,Victorian Celebrity Culture and Tennyson's Circle,Melodramatic Imperial Writing: From the Sepoy Rebellion to Cecil Rhodes,the Beginnings of University English: Extramural Study,1885–1910,Black Resonances: Iconic Women Singers and African American Literature,Modernism and Christianity,Edward Upward and Left-Wing Literary Culture in Britain,Disability in Science Fiction: Representations of Technology as Cure,Directions in the History of the Novel

Chaucer Geoffrey , The Pardoner's Tale, in Benson Larry D. (ed.), The Riverside Chaucer (Oxford, 2008), VI. 920–2.

Chaucer Geoffrey , The Squire's Tale, in Benson Larry D. (ed.), The Riverside Chaucer (Oxford, 2008), V. 432–3.

This allows for eclectic contributions. See, for example: Richardson R. C. , ‘Shakespeare and the Law: A Conversation among Disciplines and Professions’, Literature & History, 23:1 (2014), 68–70.

Wolfe Don M. (eds), Complete Prose Works of John Milton, 8 vols. in 10 parts (New Haven, 1953–82), vol. 2, p. 550.

Ibid, vol. 8, p. 422.

Milton John , Paradise Lost, ed. Fowler Alastair (Harlow, Essex, 1998), 11. 343.

Guest Harriet , ‘Hannah More and Conservative Feminism’, in British Women's Writing in the Long Eighteenth Century: Authorship, Politics, and History (Basingstoke, 2005), pp. 158–70.

Wallace Eve Kowaleski , Their Fathers' Daughters: Hannah More, Maria Edgeworth, and Patriarchal Complicity (New York, 1991).

Guest Harriet , Small Change: Women, Learning, Patriotism, 1750–1810 (Chicago and London, 2000); Vickery Amanda , ‘Golden Age to Separate Spheres? A Review of the Categories and Chronology of English Women's History’, The Historical Journal 36:2 (1993), 383–414.

Hilton Mary , Women and the Shaping of the Nation's Young: Education and Public Doctrine in Britain, 1750–1850 (Aldershot, 2007); Mitzi Myers, ‘Impeccable Governesses, Rational Dames, and Moral Mothers: Mary Wollstonecraft and the Female Tradition in Georgian Children's Books’, Children's Literature 14 (1986), 31–59; and Myers , ‘“Anecdotes from the Nursery” in Maria Edgeworth's Practical Education (1798): Learning from Children “Abroad and At Home”’, Princeton University Library Chronicle 60:2 (1999), 220–50.

Plamper Jan , Geschichte und Gefühl: Grundlagen der Emotionsgeschichte (Munich, 2012), dedication page.

Dixon Thomas , From Passions to Emotions: The Creation of a Secular Psychological Category (Cambridge, 2003).

Bentley G. E. Jr , Blake Books (Oxford, 1977); Bentley G. E. , Blake Records, 2nd revised edition (New Haven, 2004).

Mulholland Karen , ‘Introduction’, in Mulholland Karen (ed.), Blake in Our Time: Essays in Honour of G. E. Bentley, Jr. (Toronto, 2010), pp. 3–16.

Butlin Martin , The Paintings and Drawings of William Blake (New Haven, 1981); Viscomi Joseph , Blake and the Idea of the Book (Princeton, 1994).

Eaves Morris , The Counter-Arts Conspiracy: Art and Industry in the Age of Blake (Ithaca, 1993).

Gilchrist Alexander , Life of William Blake, ‘Pictor Ignotus’ (London, 1863).

Bentley G. E. Jr. , The Stranger from Paradise: A Biography of William Blake (New Haven, 2001).

Keats John , The Letters of John Keats, ed. Rollins H. E. , 2 vols (Cambridge, MA, 1958), vol. i, p. 394.

Hogle See Jerrold E. , ‘Romanticism and the “Schools” of Criticism and Theory’, The Cambridge Companion to British Romanticism, ed. Curran Stuart , rev. ed. (Cambridge, 2010), p. 2.

Wordsworth William , ‘Home at Grasmere’, in Gill Stephen (ed.), Wordsworth: The Major Works, ed. Gill Stephen (Oxford, 1984), pp. 174–99, ll. 129; 135.

Hazlitt William , The Fight and Other Writings, eds. Paulin Tom Chandler David (London, 2000), p. 151.

See, for example, Mole Tom , Byron's Romantic Celebrity: Industrial Culture and the Hermeneutic of Intimacy (Basingstoke, 2007) and McDayter Ghislaine , Byromania and the Birth of Celebrity Culture (Albany, 2009).

Mayer David , ‘Encountering Melodrama’, The Cambridge Companion to Victorian and Edwardian Theatre (Cambridge, 2004), p. 145.

Hadley Elaine , Melodramatic Tactics: Theatricalised Dissent in the English Marketplace, 1800–1885 (Stanford, 1995).

‘Six years ago I left the Catholic Church, hating it most fervently.’ Joyce James , Letters, ed. Ellmann Richard (New York, 1966), vol. 2, p. 48.

See for example Gardner Helen , Religion and Literature (London, 1971) and Davie Donald , A Gathered Church: The Literature of the English Dissenting Interest 1700–1930 (London, 1978). For a more recent example focused specifically on modernism see Pericles Lewis, Religious Experience and the Modernist Novel (Cambridge, 2010).

Miller Cristanne , ‘Religion, History, and Modernism's Protest Against the “Uncompaniable Drawl of Certitude”’, Religion and Literature, 41:1 (2009), 259.

Hynes Samuel , The Auden Generation: Literature and Politics in England in the Thirties (London, 1976), p. 316.

Bergonzi Bernard , Reading The Thirties: Texts and Contexts (Pittsburgh, 1978), p. 34.

Cunningham Valentine , British Writers of the Thirties (Oxford, 1988), p. 147.

Hynes , p. 321.

Gordon Joan , ‘Talking (for, with) Dogs: Science Fiction Breaks a Species Barrier’, Science Fiction Studies 37:3 (2010): 456–65, 456–7.

Chivers Sally Markotić Nicole , ‘Introduction’, The Problem Body: Projecting Disability on Film, eds Chivers Sally Markotić Nicole (Columbus, 2010), pp. 1–21.