Abstract
The upheaval, moral self-questioning and uncertainty into which the Munich negotiations and settlement of September 1938 threw the British nation are examined in a series of now almost totally forgotten works which constitute the genre of the ‘Munich Crisis novel’. These are then related to better known post-Munich writings by, among others, Forster, Woolf, Orwell, MacNeice and Patrick Hamilton. A range of reactions to the crisis – pro- and anti-appeasement, pacifism, anxiety over air bombardment, paralysis, dilemma – thus emerge as components of what Forster analysed as ‘the 1939 State’, and which this article substantiates in greater detail.
Keywords
Get full access to this article
View all access options for this article.
