FriedMichael, Manet's Modernism: Or The Face of Painting in The 1860s, University of Chicago Press, 1998, p. 13.
2.
Greenberg quoted in Fried, Manet's Modernism, pp. 13–14.
3.
DerconChris, ‘Foreword’, in WoodCatherine, (ed.), A Bigger Splash: Painting after Performance, Tate Publishing, 2012, p. 6.
4.
AllenStevenHubnerLaura, Framing Film: Cinema and the Visual Arts, Intellect, 2013.
5.
Ibid., p. 3. The Introduction is also helpful in listing other recent publications with similar interests: Dudley Andrew et al, the Image in Dispute: Art and Cinema in the Age of Photography, University of Texas Press, 1997; Angela Dalle Vacche, Cinema and Painting: How Art is Used in Film, Athlone, 1996; and Susan Felleman, Art in the Cinematic Imagination, University of Texas Press, 2006.
6.
DurgnatRaymond, Films and Feelings, Faber and Faber, 1967, pp. 19–20. Italics are present in the original. At the time of writing, BFI Southbank announced a long overdue panel discussion on Raymond Durgnat (4 September 2014); The Essential Raymond Durgnat is edited by MillerHenry K. and published by BFI in 2014.
