I see two important turning points in environmental aesthetics. In a definitive article, ‘Contemporary aesthetics and the neglect of natural beauty’, R.W. Hepburn in 1966 laid out the field and its tasks; Harold Osborne demonstrated the problem of externality and its solution in his 1979 paper ‘An intellectual crisis in aesthetics’. Within this framework, a dynamic and innovative field of research has developed and grown, the future of which lies in the interaction between theory and practice and co-operation between the various parties involved.
BradyE.2009. Untitled talk presented in the Seminar The Future of Environmental Aesthetics at the University of Joensuu, Finland, on March 30.
2.
HepburnR.1967. ‘Contemporary aesthetics and the neglect of natural beauty’, in WilliamsB. and MontefioreA. (eds.), British Analytical Philosophy, second impression (London: Routledge/New York: Humanities Press), pp. 285–310.
3.
OsborneH.1979. ‘An intellectual crisis in aesthetics’, in GolaszewskaM. (ed.), Crisis in Aesthetics?/Crise de l'esthetique? International conference on aesthetics. (Krakow: Universytet Jagiellonski, Instytut Filozofii), pp. 215–222. (See British Journal of Aesthetics20: 190–191.).
4.
ParsonsG.2009. ‘From the author's perspective: Aesthetics and Nature’. American Society for Aesthetics Newsletter29(2): 1–2.
5.
SaitoY.2007. Everyday Aesthetics.Oxford: Oxford University Press.
6.
SasakiK.2003. ‘Closing report: stirrings of a new aesthetics – an essay on a collage of papers’. The Great Book of Aesthetics. The 15th International Congress of Aesthetics, Tokyo, Japan, 2001 (CD-ROM).
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SnowC.P.1959. The Two Cultures and the Scientific Revolution. Cambridge: Cambridge University Press.
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I have considered the birth and development of contemporary environmental aesthetics, particularly the relationship between theoretical and practical environmental aesthetics, in, among other places, the following articles:.
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SepänmaaY.1997. ‘The utilization of environmental aesthetics’, in SepänmaaY. (ed.), Real World Design: The Foundation and Practice of Environmental Aesthetics. XIII International Congress of Aesthetics, Lahti, Finland, August 1–5, 1995. Proceedings II. (Helsinki: Lahti Research and Training Centre, University of Helsinki), pp. 7–10.
10.
SepänmaaY.2003. ‘From theoretical to applied environmental environmental aesthetics, and back – a Möbius strip’, in SasakiK. and OtabeT. (eds.), The Great Book of Aesthetics. The 15th International Congress of Aesthetics, Japan 2001. Proceedings, Tokyo, Japan (CD-ROM).
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SepänmaaY.2007. ‘Home team and visiting team in applied environmental aesthetics’. Filozofski Vestnik28(2): 53–64.
12.
SepänmaaY.2009. ‘Applied environmental aesthetics: a preview’, in BokiniecM. and PrzybyszP. (eds.), Aesthetics and Philosophy of Art: Traditions, Intersections, Perspectives. Essays in Honour of Prof. Bohdan Dziemidok (Gdansk: Wydawnictwo Uniwersytetu Gdanskiego), pp. 268–273.
