This content-analytic study explores representations of male characters with HIV/AIDS in nearly four dozen feature-length narrative movies produced and released in the United States during the first two decades of the AIDS pandemic. It offers insight into the cumulative messages communicated in these works about men in relation to HIV/AIDS and the influence of such messages on the social construction of HIV/AIDS during the 1980s and 1990s. Problematic effects pertaining to gay men as well as members of various other demographic groups in American society are addressed.
ClarkK. A. (1999). Pink water: The archetype of blood and the pool of infinite contagion. In ElwoodW. N. (Ed.), Power in the blood: A handbook on AIDS, politics, and communication (pp. 9–24). Mahwah, NJ: Lawrence Erlbaum Associates.
7.
CookT. E., & ColbyD. C. (1992). The mass-mediated epidemic: The politics of AIDS on the nightly network news. In FeeE. & FoxD. M. (Eds.), AIDS: The making of a chronic disease (pp. 84–122). Los Angeles: University of California Press.
8.
CroteauJ. M., & MorganS. (1989). Combating homophobia in AIDS education. Journal of Counseling and Development, 68, 86–91.
9.
ErniJ. N. (1994). Unstable frontiers: Technomedicine and the cultural politics of “curing” AIDS. Minneapolis: Minnesota University Press.
10.
FeeE., & FoxD. M. (Eds.). (1992). AIDS: The making of a chronic disease. Los Angeles: University of California Press.
11.
FuquaJ. V. (1996). “Tell the story”: AIDS in popular culture. Unpublished doctoral dissertation, University of Pittsburgh.
12.
GagnonM., & FollandT. (1992). The spectacular ruse. In KlusacekA. & MorrisonK. (Eds.), A leap in the dark: AIDS, art and contemporary cultures (pp. 96–105). Montreal: Vehicule Press.
13.
GarrettL. (1999, March). The virus at the end of the world. Esquire, 131, 102–107.
14.
GilmoreN. (1992). An AIDS chronicle. In KlusacekA. & MorrisonK. (Eds.), A leap in the dark: AIDS, art and contemporary cultures (pp. 16–31). Montreal: Vehicule Press.
15.
GoldsteinR. (1991). The implicated and the immune: Responses to AIDS in the arts and popular culture. In NelkinD.WillisD. P. & ParrisS. V. (Eds.), A disease of society: Cultural and institutional responses to AIDS (pp. 17–42). Cambridge: Cambridge University Press.
16.
GriffinG. (2000). Representations of HIV and AIDS: Visibility blues. New York: Manchester University Press.
17.
GrossL. (1994). What is wrong with this picture? Lesbian women and gay men on television. In RingerR. J. (Ed.), Queer words, queer images: Communication and the construction of homosexuality (pp. 143–156). New York: New York University Press.
18.
GroverJ. Z. (1992). Visible lesions: Images of the PWA in America. In MillerJ. (Ed.), Fluid exchanges: Artists and critics in the AIDS crisis (pp. 23–52). Toronto: University of Toronto Press.
19.
HartK. (2000a). Representing gay men on American television. The Journal of Men's Studies, 9, 59–79.
20.
HartK. (2000b). The AIDS movie: Representing a pandemic in film and television. New York: The Haworth Press.
21.
KalinT. (1992). Flesh histories. In KlusacekA. & MorrisonK. (Eds.), A leap in the dark: AIDS, art and contemporary cultures (pp. 120–135). Montreal: Vehicule Press.
22.
NetzhammerE. C., & ShampS. A. (1994). Guilt by association: Homosexuality and AIDS on prime-time television. In RingerR. J. (Ed.), Queer words, queer images: Communication and the construction of homosexuality (pp. 91–106). New York: New York University Press.
23.
PattonC. (1990). Inventing AIDS. New York: Routledge.
24.
PhelanP. (1993). Unmarked: The politics of performance. London: Routledge.
25.
PiontekT. (1992). Unsafe representations: Cultural criticism in the age of AIDS. Discourse, 15, 128–153.
26.
RogersE., & Shefner-RogersC. (1999). Diffusion of innovations and HIV/AIDS prevention research. In ElwoodW. N. (Ed.), Power in the blood: A handbook on AIDS, politics, and communication (pp. 405–414). Mahwah, NJ: Lawrence Erlbaum Associates.
27.
SlagleR. A. (1999). Scapegoating and political discourse: Representative Robert Dornan's legislation of morality through HIV/AIDS. In ElwoodW. N. (Ed.), Power in the blood: A handbook on AIDS, politics, and communication (pp. 93–104). Mahwah, NJ: Lawrence Erlbaum Associates.
28.
SvenkerudP. J.RaoN., & RogersE. M. (1999). Mass media effects through interpersonal communication: The role of “Twende na Wakati” on the adoption of HIV/AIDS prevention in Tanzania. In ElwoodW. N. (Ed.), Power in the blood: A handbook on AIDS, politics, and communication (pp. 243–253). Mahwah, NJ: Lawrence Erlbaum Associates.
29.
TreichlerP. A. (1992). Seduced and terrorized: AIDS and network television. In KlusacekA. & MorrisonK. (Eds.), A leap in the dark: AIDS, art and contemporary cultures (pp. 136–151). Montreal: Vehicule Press.
WatneyS. (1992). Short-term companions: AIDS as popular entertainment. In KlusacekA. & MorrisonK. (Eds.), A leap in the dark: AIDS, art and contemporary cultures (pp. 152–166). Montreal: Vehicule Press.
32.
WimmerR. D., & DominickJ. R. (1991). Mass media research: An introduction. Belmont, CA: Wadworth Publishing Company.
33.
WrightE. R. (1997). The social construction of AIDS. In WrightE. R. & PolgarM. (Eds.), Teaching the sociology of HIV/AIDS (pp. 69–88). Washington, DC: ASA Teaching Resources Center.
