Babbitt, Milton B.“Review of Felix Salzer's Structural Hearing: Tonal Coherence in Music”Journal of the American Musicological Society. (Fall 1952), p. 262.
2.
Forte, Allen. “Schenker's Conception of Musical Structure,”Journal of Music Theory, Vol. 8 (April 1959), p. 1.
3.
Katz, Adele T.Challenge to Musical Tradition. London: Putnam & Co., Ltd., 1945. (Out of print.)
4.
Oster, Ernest, “re: A New Concept of Tonality (?)”Journal of Music Theory, Vol. 4 (April 1960), p. 85.
5.
Salzer, Felix, Structural Hearing: Tonal Coherence in Music.New York: Charles Boni, 1952. Vols. I, II.
6.
Schenker, Heinrich. Das Meisterwerk in der Musik. Munich: Drei Masten Verlag, 1925-1930. Vols. I-IV.
7.
Schenker, Heinrich. Der Tonwille. Vienna: Der Tonwille Flugblatterverlag, 1921-1924. Vols. I-X.
8.
Schenker, Heinrich. Der Freie Satz. Oswald Jones, ed. Vienna: Universal Edition, 1956. Vols. I, II.
9.
Weisse, Hans. “The Music Teacher's Dilemma,” Music Teachers National Association, Vol. 1 (1935), p. 122.
10.
Zuckerkandl, Victor. Sense of Music.Princeton, New Jersey: Princeton University Press,1959.