1. Cohen, John, “A Note on Social and Personal Factors in Sense Perception, ”Journal of General Psychology, XLVI (January 1952), 103–106.
2.
2. Downey, June E., “A Musical Experiment, ”American Journal of Psychology, IX (October 1897), 63–69.
3.
3. Fisher, Seymour and Roda Lee Fisher., “The Effects of Personal Insecurity on Reactions to Unfamiliar Music, ”The Journal of Social Psychology, XXXIV (November 1951), 265–273.
4.
4. Gilman, Benjamin Ives, “Report on an Experimental Test of Musical Expressiveness, ”American Journal of Psychology, IV (August 1892) 558–576; V (October 1893), 42– 73.
5.
5. Hevner, Kate, “Expression in Music, a Discussion of Experimental Studies and Theories, ”Psychological Review, XLII (March 1935), 186–204.
6.
6. Hevner, Kate, “The Effective Character of the Major and Minor Modes in Music, ”American Journal of Psychology, XLVII (January 1935), 103–118.
7.
7. Lee, Vernon, “The Varieties of Musical Experience, ”North American Review, CCVII (May 1918), 748–757.
8.
8. Lifton, Walter, A Pilot Study to Investigate the Effect of Supervision on the Empathic Ability of Counseling Trainees (Urbana: Bureau of Educational Research, University of Illinois, 1952), p. 54.
9.
9. Lifton, p. 49.
10.
10. Lundin, Robert, An Objective Psychology of Music (New York: The Ronald Press, 1953).
11.
11. Schoen, Max, The Psychology of Music (New York: The Ronald Press, 1940), p. 142.
12.
12. Seashore, Carl, The Psychology of Music (New York: McGraw-Hill Book Co., 1938).
13.
13. Snygg, Donald, and Arthur W. Combs, Individual Behavior (New York: Harper Bros., 1949), p. 386.