Bernier, J. J., A Study of Several Factors Related to a Test of Timbre Discrimination, Technical Report 610, Human Engineering Laboratory (Boston: Human Engineering Laboratory, 1954).
2.
Farnsworth, C. H., How to Study Music (London: The Macmillan Co., 1920).
3.
Helmholtz, H. Von, On the Sensation of Tone as a Physiological Basis for the Theory of Music (New York: Peter Smith, 1948).
4.
Miller, D. C., “The Henrice Harmonic Analyzer and Devices for Extending and Facilitating Its Use,”Journal of Franklin Institute, Vol. 182 (1916), pp. 285–322.
5.
Miller, D. C., “The Influence of Amplitude and of Electromagnetic Driving on the Frequency of Tuning Forks,”Physics Review, Vol. 11 (1918), pp. 497–498.
6.
Miller, D. C., “The Influence of the Material of Wind-instruments on the Tone Quality,”Science, Vol. 29 (1909), pp. 161–171.
7.
Miller, D. C., “Musical Tone-Color (with Phonodeik Demonstrations),”International Congress of Musicology (1944), pp. 267–271.
8.
Revesz, G. Introduction to the Psychology of Music (Norman: The University of Oklahoma Press, 1954).
9.
Saetveit, J. G., D. Lewis, and C. E. Seashore, “Revision of the Seashore Measures of Musical Talent,”University of Iowa Studies, Vol. 65 (1940).