This informal survey of magazine covers and lead articles from Art in America 1990–1993 indicates new artistic forms such as advertising and photo journalism, new media such as digital imaging and installation, and new contents such as the politics of race, gender, and revolution, all of which may challenge the assumptions of both empirical and philosophical aesthetics.
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References
1.
KozloffM., Picturing the Killing Fields (review of James Nachtwey: Deeds of War, Thames and Hudson, 1989, and Alex Webb: Under a Grudging Sun, Thames and Hudson, 1989), Art in America, pp. 144–205, June 1990.
2.
SchjeldahlP., Death and the Painter (review of Gerhard Richter: 18, Oktober 1977 at Grey Art Gallery, New York University, 1990), Art in America, pp. 248–257, April 1990.
3.
KozloffM., The Discreet Voyeur (review of Dottie Attie paintings, 1988–1991), Art in America, pp. 100–137, July 1991.
4.
FlemingW., Art and Ideas (7th Edition), Holt, Rhinehart and Winston, New York, 1986.
5.
JohnsonK., Theater of Dissent (review of Barbara Kruger at Mary Boone Gallery, New York, 1991), Art in America, pp. 128–131, March 1991.
6.
HooksB., Altars of Sacrifice: Re-membering Basquiat (review of Jean Michel Basquiat at the Whitney Museum of American Art, New York, 1992), Art in America, pp. 68–75, June 1993.
7.
LippardL. R., Andres Serrano: The Spirit and the Letter (review of Andres Serrano at Stux Gallery, New York, Dec. 1989-Jan. 1991), Art in America, pp. 238–245, April 1990.
8.
NeumannE., The Origins and History of Consciousness, Princeton University Press, Princeton, 1954.
9.
PhillipsC., Between Pictures (review of Passage l'Image at Centre Georges Pompidou, Paris, 1990), Art in America, pp. 104–173, November 1991.
