Abstract
Shakespeare's mixing of comedy and tragedy was not popular with his contemporaries. Modern research on emotion, however, indicates that the combination of conflicting arousal sources will increase subjective reaction and, perhaps, audience enthusiasm. To examine this possibility, citation estimates of each play's popularity were compared with two examples each of sexual or intellectual pun frequency counts. Sexual punning frequency did not predict popularity, while increased frequency of intellectual punning accompanied increased tragedy popularity and decreased comedy popularity.
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