Abstract
Are advantages in complex object perception that have been observed in artists supported by advantages in more basic perceptual processes? To address this question, we compared artists and non-artists on a psychophysical task measuring perceptual grouping thresholds in order to test for group differences in sensitivity to perceptual grouping cues. Participants viewed grids of dots that could be perceptually grouped into a series of lines. The level of organization of stimuli was progressively reduced until perceived grouping was ambiguous. While artists were not observed to have an overall advantage relative to non-artists, non-artists exhibited sex differences in perceptual grouping sensitivity that artists did not. This suggests that the visual systems of male and female artists may be less differentiated than non-artist males and females.
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