The End of Art—Pro and Con and Possible Ways to Overcome the Deadlock

Avital T. (2003). Art versus non-art: Art out of mind. Cambridge, UK: Cambridge University Press.

Florensky P.A. (1966). The iconostasis. In Florensky P. A. (Ed.), Selected writings (4 volumes) (Vol. 2, pp. 419–526). Moscow: Mysl' (in Russian).

Fukuyama F. (1992). The end of history and the last man. New York: The Free Press.

Golitsyn G. A. (2000). ‘High’ art and ‘low’ art: The systemic role of an elite subculture. Journal of Russian and East European Psychology, 38(3), 28–44.

Golitsyn G. A. , & Petrov V. M. (1995). Information and creation: Integrating the ‘two cultures.’ Basel: Birkhauser Verlag.

Golitsyn G. A. , & Petrov V. M. (2005). Social and cultural dynamics: Long-range tendencies(Information approach). Moscow: KomKniga (in Russian).

Gribkov V. S. , & Petrov V. M. (1997a). Hemispherical asymmetry in creativity: Long-range trend in painting. In Ryzhov V. P. (Ed.), Empirical aesthetics: Informational approach (pp. 125–133). Taganrog: Taganrog State University of Radio Engineering.

Gribkov V. S. , & Petrov V. M. (1997b). Constructive conceptualism as a means to integrate emotional and rational components of perception. In Dorfman L. Martindale C. Leontiev D. Cupchik G. Petrov V. , & Machotka P. (Eds.), Emotion, creativity, and art (Vol. 1, pp. 117–133). Perm: Perm State Institute of Arts and Culture.

Horgan J. (1996). The end of science: Facing the limits of knowledge in the twilight of the scientific age. New York: Broadway Books.

Korytin N. (2009). Rhythm of sense. Poetry by D. H. Lawrence and problems of the structure of the free verse. In Petrov V. M. & Kharuto A. V. (Eds.), Art studies and information theory (pp. 321–332). Moscow: Krasand (in Russian).

Lindley D. (1993). The end of physics. New York: Basic Books.

Lotman Y. M. (1977). Art of cinema in the mechanism of culture. In Works on semiotics, (issue 8, pp. 138–150). Tartu: Tartu State University Press (in Russian).

Martindale C. (1990). The clockwork muse: The predictability of artistic change. New York: Basic Books.

Martindale C. (2009). The evolution and end of art as Hegelian tragedy. Empirical Studies of the Arts, 27(2), 133–140.

Mazhul L. A. Kamensky O. V. , & Petrov V. M. (2007). Rhyme as a device to glue segments of a poetic oeuvre: The information-based model and its empirical verification. In Fusco A. & Tomassoni R. (Eds.), I processi creativi, artistici e letterari (pp. 266–282). Milano: Franco Angeli.

Petrov V. M. (1992). Evolution of art and brain asymmetry: A review of empirical investigations. In Cupchik G. C. & Laszlo J. (Eds.), Emerging visions of the aesthetic process: Psychology, semiology, and philosophy (pp. 255–268). New York: Cambridge University Press.

Petrov V. M. (2001). Creativity in art: Stylistic waves and monotonic evolutionary trends (Information approach). Bulletin of Psychology and the Arts, 2(1), 30–33.

Petrov V. M. (2002a). Devices of art: optimal frequency of occurrence (information approach). In Tomassoni R. (Ed.), La psicologia delle arti oggi (pp. 43–48). Milano: Franco Angeli.

Petrov V. M. (2002b). ‘High’ against ‘Low’: Hierarchies in nature, culture, and art (Information approach). Bulletin of Psychology and the Arts, 3(1), 3–9.

Petrov V. M. (2004). Perspectives of cultural evolution: Methodology of long-range and super long-range forecasting (Information approach). Rivista di Psicologia dell'Arte, 15, 71–102.

Petrov V. M. (2005). Forms—emotions—functions—preferences (Information approach). In Chen J. C. & Liang K. C. (Eds.), Proceedings of the 2005 International Symposium on Empirical Aesthetics: Culture, arts, and education (pp. 70–87). Taipei: National Taiwan Normal University.

Petrov V. M. (2007a). The expanding universe of literature: Principal long-range trends in the light of an informational approach. In Dorfman L. Martindale C. , & Petrov V. (Eds.). Aesthetics and innovation (pp. 397–425). Newcastle: Cambridge Scholars Publishing.

Petrov V. M. (2007b). The information approach to human sciences, especially aesthetics. In Martindale C. Locher P. , & Petrov V. (Eds.), Evolutionary and neurocognitive approaches to aesthetics, creativity, and the arts (pp. 129–149). Amityville, NY: Baywood.

Petrov V. M. (2008). Social and cultural dynamics: Fast processes (Information approach). Saint Petersburg: Aleteya (in Russian).

Petrov V. M. Mancone S. , & Mazhul L. A. (2009). Logic of finiteness: Intellectual systems and limits of their development. In Petrov V. M. & Kharuto A. V. (Eds.), Art studies and information theory (pp. 265–276). Moscow: Krasand.

Pushkin A. S. (1958). Travel from Moscow to Petersburg. In Pushkin A. S. (Ed.), Sochineniya (10 volumes) (Vol. 7, pp. 268–305). Moscow: USSR Academy of Sciences Publishing House (in Russian).

Shepeleva S. N. (1989). Evolution of Russian rhyme (A trial of statistical investigation). In Problemy strukturnoy lingvistiki. 1985-87 (pp. 325–340). Moscow: Nauka (in Russian).

Waltari M. (1979). The Egyptian. Poorvoo; Helsinki; Juva: Werner Soederstroem Osakeyhtioe.