Whitman uses the meditative catalog to depict and convey his subjective experiences to the reader. We argue that this type of catalog is a poetic realization of the meditative technique of mindfulness. In analyzing examples of such a catalog, using a cognitive-poetic approach, one can illuminate both the process of mindfulness and its literary depiction. Apart from being a depiction of ongoing perceptual experience, one especially involving the visual, auditory and olfactory senses, the catalog also presents instances of physiognomic perception and other syncretic phenomena. It is from the poet's detailed depiction of his own subjective experience that one can glean insight into the meditative experience.
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