Drawing on more than five years of extended fieldwork, this article explores the tropes through which dancers express and explain their participation in the Lindy Hop revival. In this reconstruction, the author extends Bourdieu's notions of symbolic power, symbolic violence, and misrecognition to show how racial domination is produced and perpetuated, denigrating and erasing African American cultural identity. As a result, the discourses of the Lindy Hop revival provide a window into understanding how the dominant racial logic of American society circulates even in the most apparently innocuous of cultural practices.
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