Geographers' interest in film has increased during the last 20 years. Methodological and theoretical perspectives tend, however, to be bipolar and reflect either cognitive or social approaches. Work reflecting these approaches is reviewed with geographic research grounded in transactionalism and postmodernism as examples. A geographic view of film that recognizes the importance of more than one theoretical framework, positions the cognitive and social in a continuum reaching from the individual to the societal, and makes traditional notions of scale antiquated is recommended. Research by geographers contesting the assumed objectivity in documentaries is reviewed as are geographers' contributions to understanding the construction of meaning of urban and natural settings in films. Suggestions for future directions in film research are made.
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