Abstract
If we consider the context in which certain works of art were produced, as well as the world view of the artists themselves, we should be able to make some connections between the history of science and the history of art. We can do this partly because we have access to reproductions of pictures in all media made before photography and can make comparisons between them. Yet these same techniques for the multiplication of images flood our own daily horizons with pictures taken from their original context and often trivialised. Photography has so conditioned our way of looking at pictures that a considerable corrective effort is needed to bridge the psychological distance between our own mentality and that of the past.
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