Proportion and measure interacted in the evolution and construction of the Hindu temple from the 5th through the 15th century AD, but, throughout this history, proportion dominated as the tool to give the monument both validity and form. This review analyzes the ritual force of proportion and its function in the planning of temples by architects. The diagrams that accompany the article are the result of field research and the analysis of built structures.
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References
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Called the ‘Brahmastāna’, this central space is sometimes identified by modern astrologers as inhabited by Brahma, the third deity of the Hindu triad. The name, however, goes back to an earlier concept of ‘brahman’ as a nonpersonified ‘supreme reality’.
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Built on a straight mānasūtra. Cardinal points are marked by false doors or niches; in some temples these begin to project from the straight face of the temple, probably in imitation of north Indian norms. SeeEncyclopaedia of Indian Temple Architecture, vol. 1, pt. 1, South India, Lower Drāviḍadēśa, edited byMeisterMichael W., UniversityOxfordPress, New Delhi (1983).
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My analysis depends on a measured plan kindly shared with me by the French Institute of Indology, Pondicherry.
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The next temple in sequence at Osiāñ, the Harihara Temple no. 2, uses bhadra vyāsa – measurement across the projections – for both the central and subsidiary shrines.
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