Abstract
Modern concert hall design uses science and engineering to make an acoustic which embellishes and enhances the artistry of the musicians. The modern discipline of concert hall acoustics is a little over a hundred years old, and over the last century much has been learnt about how to ensure the audience receives high quality sound. During this period, knowledge from a large number of disciplines has been exploited. It is the intention of this paper to illustrate how disciplines as diverse as X-ray crystallography, psychology, and mobile telephony have influenced acoustic design. The paper will concentrate on the design of acoustic diffusers for concert halls, as this is a topic currently attracting considerable interest within the acoustics industry and academia.
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