BaradK (2003) Posthumanist performativity: toward an understanding of how matter comes to matter. Signs: Journal of Women in Culture and Society28(3): 801–831.
2.
BaradK (2012) On touching – the inhuman that therefore I am. Differences23(3): 206–223.
3.
BennettJ (2020) Influx and Efflux. Durham, NC: Duke University Press.
4.
ChristopheN (2018) Tienduizend idioten. Poëtica, schrijfproces en pedagogie van het hybride Theaterschrijven vanuit Bakhtins ‘meerstemmigheid’. Netherlands: University of the Arts Utrecht, IT&FB Amsterdam.
5.
EsrockE (2003) Touching Art: Intimacy, Embodiment and the Somatosensory System. New York, NY: The Italian Academy, Columbia University.
6.
GumbrechtH (2004) Production of Presence: What Meaning Cannot Convey. Stanford, CA: Stanford University Press.
7.
KwastekK (2015) Aesthetics of Interaction in Digital Art. US: MIT Press Ltd.
8.
MunteaÌnL (2018) Plaster archeology in Budapest’s seventh district: toward a mode of engagement with architectural surfaces. Hungarian Cultural Studies. e-Journal of the American Hungarian Educators Association11: 13. DOI: 10.5195/ahea.2018.319.
9.
SobchackV (2004) Carnal Thoughts. Berkeley, CA: University of California Press.
