Surrealist Prague (this little mother has claws) 1

Breton André (1972), ‘Surrealist Situation of the Object: Situation of the Surrealist Object’, in Breton André , Manifestoes of Surrealism, trans. Richard Seaver and Helen R. Lane, Ann Arbor: University of Michigan Press, pp. 255–278.

Breton André (1978), ‘Introduction to the Work of Toyen’, in Breton André , Rosemont Franklin (ed.) What Is Surrealism? Selected Writings, New York: Pathfinder, pp. 286–290.

Breton André (1987), Mad Love, trans. Mary Ann Caws, Lincoln: University of Nebraska Press.

Breton André (1997), Anthology of Black Humor, trans. Mark Polizzotti, San Francisco: City Lights.

Breton André (2001) Letter to Vítězslav Nezval, 14/04/1935, in André Breton: La beauté convulsive (exh. cat.), Paris: Centre Pompidou, 2001, p. 225.

Breton André , and Éluard Paul (2005), Dictionnaire abrégé du surréalisme, facsimile reprint, Paris: José Corti.

Dvorský Stanislav , Effenberger Vratislav , and Král Petr (eds.) (1969), Surrealistické východisko 1938–1968 [The Surrealist Point of Departure, 1938–1968], Prague: Československý spisovatel.

Éluard Paul (1984), Letter from Éluard to Gala Dalí, 07-08/04/1935, in Paul Éluard, Lettres ą Gala, Paris: Gallimard, pp. 252–254.

Kafka Franz (1977), Letter to Oskar Pollak, 20/12/1902, in Franz Kafka, Letters to Friends, Family, and Editors, trans. Richard Winston and Clara Winston, New York: Schocken, pp. 5–7.

Kalandra Záviš (2004), Review of Breton's Communicating Vessels in Doba [Time], in Zvěrokruh 1/Zvěrokruh 2/Surrealismus v ČSR/Mezinárodní bulletin surrealismu/Surrealismus [Zodiac 1/Zodiac 2/Surrealism in the ČSR/International Bulletin of Surrealism/Surrealism], Prague: Torst, pp. 124–125.

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L'Archibras (1968), ‘La plateforme de Prague’, L'Archibras, No. 5, pp. 11–15.

Nejedlý Zdeněk (1953), ‘Komunisté, dědici velkých tradic českého národa [The Communists, Heirs to the Great Traditions of the Czech Nation]’, in Nejedlý Zdeněk , Spisy Zdeňka Nejedlého (16. svazek). O smyslu českých dějin [Writings of Zdeněk Nejedlý, Vol. 16: On the Meaning of Czech History], Prague: Státní nakladatelství politické literatury, pp. 217–267.

Nezval Vítězslav (2004), Letter from Nezval to Breton, 10/05/1933, in Zvěrokruh 1/Zvěrokruh 2/Surrealismus v ČSR/Mezinárodní bulletin surrealismu/Surrealismus [Zodiac 1/Zodiac 2/Surrealism in the ČSR/International Bulletin of Surrealism/Surrealism], Prague: Torst, pp. 115–118.

Nezval Vítězslav (2016), The Absolute Gravedigger, trans. Stephan Delbos and Tereza Novická, Prague: Twisted Spoon Press.

Novotný Miloslav (1953), Roky Aloise Jiráska [The Years of Alois Jirásek], Prague: Melantrich.

Peňás Jiří (2011), ‘Smrt Konstantina Biebla: Bez obav a plný děsu [The Death of Konstantin Biebl: Without Fears and Full of Terror]’, Lidové noviny, 15/12/2011. Available at https://www.lidovky.cz/novinar.aspx?idnov=2474 (Accessed 12/12/2017).

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Štyrský Jindřich (2002), „The Generation's Corner,“ in Benson Timothy O. , and Forgacs Eva (eds.) Between Worlds: A Sourcebook of Central European Avant-Gardes, 1910–1930, Los Angeles: LACMA and Cambridge, MA: MIT Press, pp. 676–677.

Teige Karel (1969a), ‘Od artificielismu k surrealismu [From Artificialism to Surrealism]’, in Teige Karel , Výborzdíla [Selected Works], Vol. 2, Prague: Československý spisovatel, pp. 442–468.

Teige Karel (1969b), ‘Nová etapa surrealismu [The New Stage of Surrealism]’, in Teige Karel , Výbor z díla [Selected Works], Vol. 2, Prague: Československý spisovatel, pp. 593–594 (extract).

Teige Karel (1969c), ‘Surrealismus proti proudu [Surrealism Against the Current]’, in Teige Karel , Výbor z díla [Selected Works], Vol. 2, Prague: Československý spisovatel, pp. 469–541.

Teige Karel (1969d), ‘Doslov k výstavě Štyrského a Toyen [A Postscript to the Exhibition of Štyrský and Toyen]’, in Teige Karel , Výborzdíla [Selected Works], Vol. 2, Prague: Československý spisovatel, pp. 664–667.

Teige Karel (1969e), ‘Umění dnes azítra [Art Today and Tomorrow]’, in Vlašín Štěpán (ed.) Avantgarda známá a neznámá [The Known and Unknown Avant-Garde], vol. 1, Prague: Svoboda, pp. 365–381.

Teige Karel (2002a), ‘Poetism’, in Benson Timothy O. , and Forgacs Eva (eds.) Between Worlds: A Sourcebook of Central European Avant-Gardes, 1910–1930, Los Angeles: LACMA and Cambridge, MA: MIT Press, pp. 579–582.

Teige Karel (2002b), ‘Poetism Manifesto’, in Benson Timothy O. , and Forgacs Eva (eds.) Between Worlds: A Sourcebook of Central European Avant-Gardes, 1910–1930, Los Angeles: LACMA and Cambridge, MA: MIT Press, pp. 593–601 (selections).

Teige Karel (2002c), ‘Ultraviolet Paintings, or, Artificialism (Notes on the Paintings of Štyrský and Toyen)’, in Benson Timothy O. , and Forgacs Eva (eds.) Between Worlds: A Sourcebook of Central European Avant-Gardes, 1910–1930, Los Angeles: LACMA and Cambridge, MA: MIT Press, pp. 601–603.