Book Review: The sentimental in Chinese cinema

Appadurai A. (1996). Modernity at large: Cultural dimensions of globalization (Vol. 1). University of Minnesota Press.

Bachelard G. (2014). The poetics of space. Penguin Classics.

Chandler J. (2008). The languages of sentiment. Textual Practice, 22(1), 21–39. https://doi.org/10.1080/09502360701841886

Everett W. (2009). Lost in transition? The European road movie, or A genre “adrift in the cosmos”. Literature/Film Quarterly, 37(3), 165–175. https://www.jstor.org/stable/43797697

Fei X. T. (1992). From the soil: The foundations of Chinese society. University of California Press. https://doi.org/10.1525/9780520912489

Freud S. (1986). In Strachey J. (Ed.), The standard edition of the complete psychological works of Sigmund Freud. London the Hogarth Press.

Lacan J. M. E. (2001). Écrits: A selection. Routledge.

Qian M. (1994). Introduction to the history of Chinese culture. The Commercial Press.

Roach C. (1997). Cultural imperialism and resistance in media theory and literary theory. Media, Culture & Society, 19(1), 47–66. https://doi.org/10.1177/016344397019001004

Yang G. B. (2003). China’s zhiqing generation: Nostalgia, identity, and cultural resistance in the 1990s. Modern China, 29(3), 267–296. https://doi.org/10.1177/0097700403029003001

Zhang Y. (2004). Chinese national cinema (1st ed.). Routledge. https://doi.org/10.4324/9780203645833

Zhang Y. (2006). Comparative film studies, transnational film studies: Interdisciplinarity crossmediality, and transcultural visuality in Chinese cinema. Journal of Chinese Cinemas, 1(1), 27–40. https://doi.org/10.1386/jcc.1.1.27_7