Abstract
THIS PAPER REFLECTS on a visit by Christian poet John Terpstra to the final class session (on a Maundy Thursday) of my Literature and Environment course, to read his poetry suite on making a cross for his church out of a fruit-tree in an orchard being ploughed under for construction. Terpstra plays on the Stations of the Cross by interweaving the story of his own cross-making with the narrative of Jesus' crucifixion. The quasi-liturgical event of this reading created a profound stillness in the classroom, generated an animated discussion following, and raised important issues about the relationship of liturgy to classroom and of affective to cognitive learning.
Get full access to this article
View all access options for this article.
