This essay examines the political utility of humor using a framework developed in recent geopolitical scholarship read through Jacques Rancière's theorization of the politics of aesthetics and applied to everyday political life in contemporary Mexico City. Geopolitics here offers a unique lens through which to understand the spatiality of humor and its effects on the aesthetic and affective processes by which urban identities are constructed and contested. Building on roughly 14 months of ethnographic fieldwork, I argue that humor's subversive potential allows for simultaneous or co-constitutive aesthetic effects, such as the simultaneous disruption of political norms and the genesis of a more inclusive spatial imaginary of urban citizenship. This argument extends previous work on humor by emphasizing the complex, mutable, and multifarious nature of humor effects in practice, perhaps most especially in subversive modes. I demonstrate the strategic political value of humor through the exploration of three ethnographically derived examples: an episode of a popular satirical video series, a newly christened popular saint said to protect residents of an historic neighborhood from gentrification, and a humorous tirade against the city's mayor at a local neighborhood meeting.
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