This performative autoethnographic piece plays in the liminal spaces between the critical and lyrical, etching risky scriptings of love and hope in a world that’s turned dark and dangerous. Watch me, she says, as she dances through words and meaning, in some wilful act of autoethnographic process and product that skirts the traumatic and ecstatic both.
Buck-MorssS. (1992). Aesthetics and anaesthetics: Walter Benjamin’s artwork essay reconsidered. Susan Buck-Morss, 62(1992), 3–41. https://doi.org/10.2307/778700
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CliffordJ.MarcusG. E. (1986). Writing culture: The poetics and politics of ethnography. University of California Press. https://doi.org/10.2307/jj.8441704
4.
DaviesK. (2018). Intrinsic hope: Living courageously in troubled times. New Society Publishers.
5.
EllisC. (2004). The ethnographic I: A methodological novel about autoethnography. AltaMira Press.
HensonD. F. (2021). Girl, disrupted: Trauma, narrative disruptions, and autoethnography. In AdamsT. E.Holman JonesS.EllisC. (Eds.), Handbook of autoethnography (2nd Ed. pp. 343–354). Routledge. https://doi.org/10.4324/9780429431760-34
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HousdenR. (2001). Ten poems to change your life. Hodder & Stoughton.
