Abstract
In 2008, Edvīns Šnore, the Latvian film director, released a shocking and provocative documentary, “The Soviet Story,” which explored some terrible episodes from the Soviet past as well as the collaboration between the Soviet and Nazi regimes. Scholars have argued that The Soviet Story is an effective Latvian response to Russian propaganda, but it also exemplifies the broader problems of post-communist memory politics. This article takes a step further in the discussion of The Soviet Story. It focuses on the idea of how memory work triggered by the documentary got started on social networking sites. In particular, the article deals with the video-sharing website
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