Abstract
This essay compares postdictatorial transformations of former spaces of confinement for political prisoners into shopping malls, such as the Buen Pastor prison in Córdoba (Argentina) and the Punta Carretas prison in Montevideo (Uruguay). It places these within the context of past and current debates on the human rights of “common prisoners,” as distinct from those of “political ones.” Yet precisely the omission of the political is mirrored at the prison-malls in the architectural erasure of territorial marks of repression (the cells) but also of all material traces of a poetics of freedom within the site, such as a window through which political prisoners had once successfully plotted a mass escape. These erasures can be read, I suggest, within a program of invisibilization of acts of freedom in the reconfiguration of memorial practices and places. Here, I want to ask, How are escapes being remembered/forgotten in current sites of memory, where the dominant imaginary neutralizes political content? Can we conceive of an “architecture of affect” that would relate to memories of escape?
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