Remembering in ‘modern’ Australia arises first and foremost through the transcultural processes of settler colonialism. This article explores some questions of memory’s cultures through a discussion of ‘travel television’. It argues that this kind of television is an example of a hybrid or non-human form of remembering that I call companion memory. I consider two examples: the 1950s television series, Australian Walkabout, and a recent television series on Australian indigenous art, Art + Soul. I conclude by considering how memory and travel might help us think about the kinds of intimacy and proximity implied by the notion of ‘memory up close’.
BonninM (1980) A study of Australian descriptive travel writing, 1929–1945. PhD Thesis, University of Queensland, Australia; cited in MorrisM (2006) Identity Anecdotes: Translation and Media Culture. London: SAGE, p. 55.
2.
BrunsdonC (2004) Taste and time on television. Screen45(2): 115–129.
3.
CarterD (1998) The wide brown land on the small grey screen: the nature of landscape on the Australian television. Journal of Australian Studies58: 116–126.
4.
ChauvelC (1958) Australian Walkabout (Television Program). London: British Broadcasting Corporation.
5.
ChauvelC (1959) The land for the wide lens. PIX15(12): 18–23.
6.
ClarsenGW (2010) Automobiles and Australian modernism: the redex around-Australia trials of the 1950s. Australian Historical Studies41(3): 352–368.
7.
CrenzelE (2011) Between the voices of the state and the human rights movement: never again and the memories of the disappeared in Argentina. Journal of Social History44(4): 1063–1076.
8.
DavinS (2005) Tourists and television viewers: some similarities. In: CrouchDJacksonRThompsonF (eds) The Media and the Tourist Imagination: Converging Cultures. London and New York: Routledge, pp. 170–181.
9.
HarveyD (1990) The Condition of Postmodernity: An Enquiry into the Origins of Cultural Change. Cambridge, MA: Blackwell.
10.
HatfieldW (1936) Australia through the Windscreen. Sydney, NSW, Australia: Angus & Robertson.
11.
HealyC (2012) Television history: heritage, memory and historicity. In: Darian-SmithKTurnbullS (eds) Remembering Television: Histories, Technologies, Memories. Newcastle upon Tyne: Cambridge Scholars Publishing, pp. 74–84.
12.
HillE (1937) The Great Australian Loneliness. London: Jarrold Publishing.
13.
HirschMSpitzerL (2010) The witness in the archive: holocaust studies. In: RadstoneSSchwarzB (eds) Memory: Histories, Theories, Debates. New York: Fordham University Press, pp. 390–405.
14.
HoldsworthA (2011) Television, Memory and Nostalgia. London: Palgrave Macmillan.
15.
HoskinsA (2004) Television and the collapse of memory. Time & Society13(1): 109–127.
16.
HuyssenA (1995) Twilight Memories: Marking Time in a Culture of Amnesia. London: Routledge.
17.
JacobsJ (2000) The Intimate Screen. Oxford: Oxford University Press.
18.
JamesonF (1991) Postmodernism, or, the Cultural Logic of Late Capitalism. Durham, NC: Duke University Press.
KompareD (2005) Rerun Nation: How Repeats Invented American Television. New York: Routledge.
21.
LandsbergA (2004) Prosthetic Memory: The Transformation of American Remembrance in the Age of Mass Culture. New York: Columbia University Press.
22.
MaynardR (2000) Reversing the Negatives: A Portrait of Aboriginal Victoria. Melbourne, VIC, Australia: Melbourne Museum.
23.
MoranA (2009) New Flows in Global TV. Bristol: Intellect Books.
24.
MorrisM (1993) Panorama: the live, the dead and the living. In: TurnerG (ed.) Nation, Culture, Text: Australian Cultural and Media Studies. London: Routledge, pp. 19–58.
25.
Morris-SuzukiT (2005) The Past within Us: Media, Memory, History. London: Verso.
26.
O’SullivanT (1998) Nostalgia, revelation and intimacy: tendencies in the flow of modern popular television. In: GeraghtyCLustedD (eds) The Television Studies Book. London: Arnold, pp. 198–211.
27.
PerkinsH (2010) Art + Soul (The Book That Accompanied the Series). Melbourne, VIC, Australia: The Miegunyah Press.
28.
PertierraATurnerG (2013) Locating Television: Zones of Consumption. New York: Routledge.
29.
RadstoneS (2011) What place is this? Transcultural memory and the locations of memory studies. Parallax17(4): 109–123.
30.
SchwarzB (2004) Media times/historical times. Screen45(2): 93–105.
31.
SobchackV (1996) The Persistence of History: Cinema, Television, and the Modern Event. New York: Routledge.
32.
SpigelL (1992) Make Room for TV: Television and the Family Ideal in Postwar America. Chicago, IL: University of Chicago Press.
33.
SpigelL (2001) Welcome to the Dreamhouse: Popular Media and Postwar Suburbs. Durham, NC: Duke University Press.
