Book Review: Perspectives on Music after Bourdieu: Contributions from Music Education and Sociology of Music

Bourdieu P (1984 [1979]) Distinction: A Social Critique of the Judgement of Taste. Cambridge, MA: Harvard University Press.

Bourdieu P (1996 [1992]) The Rules of Art: Genesis and Structure of the Literary Field. Stanford, CA: Stanford University Press.

Graziano R (2025) Popular habitus: Updating the concept of ‘habitus’ as a guide for the selection of cases of analysis in qualitative digital research. Societies 15(6): 150–170.

Grenfell M (2023) Bourdieu’s Metanoia: Seeing the Social World Anew. London and New York: Routledge.

Lamont M (2012) How has Bourdieu been good to think with? The case of the United States. Sociological Forum 27(1): 228–237.

Lizardo O Skiles S (2015) After omnivorousness: Is Bourdieu still relevant? In: Hanquinet L Savage M (eds) Routledge International Handbook of the Sociology of Art and Culture. London and New York: Routledge, 90–103.

Prior N (2011) Critique and renewal in the sociology of music: Bourdieu and beyond. Cultural Sociology 5(1): 121–138.

Rimmer M (2012) Beyond omnivores and univores: The promise of a concept of musical habitus. Cultural Sociology 6(3): 299–318.

Söderman J Burnard P Hofvander-Trulsson Y (eds) (2015) Bourdieu and the Sociology of Music Education. London and New York: Routledge.

Warde A Wright D Gayo-Cal M (2007) Understanding cultural omnivorousness: Or, the myth of the cultural omnivore. Cultural Sociology 1(2): 143–164.