Abstract
Drawing on interviews with advertising practitioners working in Ireland, this article investigates how Irishness is discursively constructed by these workers and focuses particularly on their tendency to shift between a view of Irishness as fluid and uncertain and a view of it as fixed and essential. Rather than consider these positions contradictory, I regard practitioners’ wavering constructions of Irishness as provisional truths born of advertising’s need for predictable or fixed solutions. I further suggest that subtending this decentring and recentring of Irishness is an ‘old’ idea of culture, namely the idea that culture is the complete way of life of a particular people. Importantly, this idea also depicts culture as objective, knowable and actionable, which is crucial to advertising’s professionalization project. The article concludes by examining a recent book on branding, written by the ‘grandfather’ of Irish advertising, John Fanning, as an industry account of (and response to) cultural change in Ireland.
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