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Abstract

The article examines formal innovation, authorship and representation within Phoebe Waller-Bridge’s television series Fleabag (2016–2019). Through close examination of the developed use of direct address within the programme, in particular two key moments of trans-diegetic address, the analysis considers how, contrary to ontological assumptions, the adaptation of the theatrical ‘aside’, when converted for screen, can function to support, strengthen, layer and enhance aspects of a narrative, as well as help build performer/audience connectivity through perceptions of intimacy, authenticity and female agency.

Keywords

Direct address theatrical aside trans-diegetic address diegetic/non-diegetic theatrical migration Phoebe Waller-Bridge progressive television form cringe-dramedy trans-diegetic imagery

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Where did you go?! Trans-diegetic address and formal innovation in Phoebe Waller-Bridge’s television series Fleabag

Abstract

Keywords

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