AntinD (1986) Video: the distinctive features of the medium (1976). In: HanhardtJG (ed) Video Culture: A Critical Investigation. New York: Visual Studies Workshop Press, pp. 47–166.
2.
ArriolaA (2016) Touching what does not yet exist: Stuart Marshall and the HIV/AIDS archive. Afterall41: 54–63.
3.
As Time Goes By (1977) Noel Grieg and Drew Griffiths. First performed at theCampaign for Homosexual Equality (CHE) Conference Nottingham.
4.
BartlettN (2013) Interview with Colin Perry. London, 8 November.
5.
Blue Boys (1992) Channel 4. Dir. Stuart Marshall. Maya Vision.
6.
Bright Eyes (1984) Channel 4. Dir. Stuart Marshall. Caught in the Act Production.
7.
BrooksP (1976) The Melodramatic Imagination: Balzac, Henry James, Melodrama, and the Mode of Excess. London: Yale University Press.
8.
Comrades in Arms (1990) Channel 4. Dir. Stuart Marshall. Maya Vision.
9.
Desire (1990) Channel 4. Dir. Stuart Marshall. Maya Vision.
10.
Distinct (1979) Dir. Stuart Marshall. Brighton Polytechnic/London Video Arts/Lux.
11.
ElwesC (2005) Video Art: A Guided Tour. London: IBTauris.
12.
EnzensbergerHM (1970) Constituents of a theory of the media. New Left Review64: 13–36.
13.
Film about a Woman Who… (1974) Dir. Yvonne Rainer. BFI/CFDC/Zeitgeist.
14.
FramptonH (1982) The withering away of the state of art (1974). In: FramptonH (ed) Circles of Confusion: Film Photography Video Texts 1968–1980. New York: Visual Studies Workshop Press, pp. 161–70.
15.
HallD (1976) British video art: towards an autonomous practice. Studio International91: 248.
16.
HallasR (2009) Reframing Bodies: AIDS, Bearing Witness, and the Queer Moving Image. Durham: Duke University Press.
MetzC (1975) The imaginary signifier. Screen16(2): 14–76.
36.
Open Door (series) (1973–1982) BBC. BBC community programme unit.
37.
Over Our Dead Bodies (1991) Channel 4. Stuart Marshall. Maya Vision.
38.
PerryC (2016) Into the mainstream: independent film and video counterpublics and television in Britain, 1974–1990. Unpublished PhD Thesis, University of the Arts London, London.
39.
Prisoner’s Dilemma (1974) Richard Serra and Robert Bell. The Museum of Modern Art, New York.
40.
Riddles of the Sphinx (1977) Dir. Laura Mulvey and Peter Wollen. BFI Production Board/British Film Institute.
41.
RodowickDN (1994) The Crisis of Political Modernism: Criticism and Ideology in Contemporary Film Criticism. Berkeley: University of California Press.
42.
Semiotics of the Kitchen (1975) Dir. Martha Rosler. Electronic Arts Intermix.