Abstract
Get full access to this article
View all access options for this article.
References
1.
Amoore
L
(2013 ) The Politics of Possibility: Risk and Security beyond Probability . Durham, NC : Duke University Press .
2.
Beckman
K
(ed.) (2014 ) Animating Film Theory . Durham, NC : Duke University Press .
3.
Bratton
BH
(2016 ) The Stack: On Software and Sovereignty . Cambridge, MA : MIT Press .
4.
Bredekamp
H
Dünkel
V
Schneider
B
(2015 ) The Technical Image: A History of Styles in Scientific Imagery . Chicago : University of Chicago Press .
5.
Buchan
S
(ed.) (2013 ) Pervasive Animation . London : Routledge .
6.
Cholodenko
A
(2014 ) ’First principles’ of animation . In:
Beckman
K
(ed.) Animating Film Theory . Durham, NC : Duke University Press , 98 –110 .
7.
Cubitt
S
(2014 ) The Practice of Light: A Genealogy of Visual Technologies from Prints to Pixels . Cambridge, MA : MIT Press .
8.
Cubitt
S
(2017 ) Finite Media: Environmental Implications of Digital Technologies . Durham, NC : Duke University Press .
9.
Danowski
D
De Castro
EBV
(2016 ) The Ends of the World , trans.
Nunes
R
. Cambridge : Polity Press .
10.
Doyle
J
(2011 ) Mediating Climate Change . Farnham : Ashgate .
11.
Gabrys
J
(2011 ) Digital Rubbish: A Natural History of Electronics . Ann Arbor : University of Michigan Press .
12.
Gaycken
O
(2014 ) Devices of Curiosity: Early Cinema and Popular Science . Oxford : Oxford University Press .
13.
Gillespie
T
(2010 ) The politics of ‘platforms’ . New Media & Society 12 (3 ): 347 –364 .
14.
Hamilton
C
(2017 ) Defiant Earth: The Fate of Humans in the Anthropocene . Cambridge : Polity Press .
15.
Hansen
MBN
(2015 ) Feed-Forward: On the Future of Twenty-First-Century Media . Chicago : University of Chicago Press .
16.
Haraway
DJ
(2016 ) Staying with the Trouble: Making Kin in the Chthulucene . Durham, NC : Duke University Press .
17.
Herhuth
E
(2016 ) The politics of animation and the animation of politics . animation 11 (1 ): 4 –22 .
18.
Herhuth
E
(2017 ) Pixar and the Aesthetic Imagination: Animation, Storytelling, and Digital Culture . Berkeley : University of California Press .
19.
Holt
J
Vonderau
P
(2015 ) Where the Internet Lives: Data Centers as Cloud Infrastructure . In:
Parks
L
Starosielski
N
(eds.) Signal Traffic: Critical Studies of Media Infrastructures . Urbana : University of Illinois Press .
20.
Hu
T-H
(2015 ) A Prehistory of the Cloud . Cambridge, MA : MIT Press .
21.
Kittler
F
(1999 ) Gramophone, Film, Typewriter , trans.
Winthrop-Young
G
Wutz
M
. Stanford, CA : Stanford University Press .
22.
Lamarre
T
(2009 ) The Anime Machine: A Media Theory of Animation . Minneapolis : University of Minnesota Press .
23.
Leslie
E
(2014 ) Animation and history . In:
Beckman
K
(ed.) Animating Film Theory . Durham, NC : Duke University Press , 25 –36 .
24.
Ma
M
Zheng
H
Lallie
H
(2010 ) Virtual reality and 3D animation in forensic visualization . Journal of Forensic Sciences 55 (5 ): 1227 –1231 .
25.
Manovich
L
(2013 ) Software Takes Command: Extending the Language of New Media . London : Bloomsbury .
26.
Morton
T
(2013 ) Hyperobjects: Philosophy and Ecology after the End of the World . Minneapolis : University of Minnesota Press .
27.
Paglen
T
(2012 ) The Last Pictures . Berkeley : University of California Press .
28.
Parikka
J
(2015 ) A Geology of Media . Minneapolis : University of Minnesota Press .
29.
Rouvroy
A
Berns
T
(2013 ) Gouvernementalité algorithmique et perspectives d’émancipation, Réseaux , 177 (1 ): 163 –196 .
30.
Salter
A
Murray
J
(2014 ) Flash: Building the Interactive Web . Cambridge, MA : MIT Press .
31.
Starosielski
N
(2015 ) The Undersea Network . Durham, NC : Duke University Press .
32.
Stiegler
B
(2016 ) Automatic Society , trans.
Ross
D
. Cambridge : Polity Press .
33.
Wells
P
(2007 ) Basics Animation: Scriptwriting . Lausanne : AVA Publishing .
34.
Wood
A
(2015 ) Software, Animation and the Moving Image: What’s in the Box? Houndmills : Palgrave Macmillan .