This paper recounts the pioneering roles played by Frank B. Gilbreth and Walter C. Camp in using motion pictures to chart the swings of early twentieth-century golf champions. Drawing on personal correspondence between Gilbreth and Camp, and rarely accessed published materials, it reveals the heretofore untold events leading to the publication of the first motion studies of golf. Together Gilbreth and Camp – the ‘Father of Motion Study’ and the ‘Dean of American Sports’ – combined their talents to influence the world of golf in a manner that is yet evident today.
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