AlexandrescuL (2022) Violence, crime dystopia and the dialectics of (Dis)order in The Purge films. Crime, Media, Culture18(4): 561–577.
2.
AmoaAA (2008) Texas issues a formidable license to kill: A critical analysis of the Joe Horn shooting and the Castle Doctrine. Thurgood Marshall Law Review33(2): 293–314.
3.
ArmstrongMA (2019) ‘A nation reborn’: Right to law and right to life in the purge Franchise. Journal of Intervention and Statebuilding13(3): 377–392.
4.
ClaeysD (2017) Dystopia: A Natural History. Oxford University Press.
5.
FrankoK (2020) The Crimmigrant Other: Migration and Penal Power. Routledge.
6.
HoltTFreilichJDChermakSM (2016) Internet-based radicalization as enculturation to violent subcultures. Deviant Behavior38(8): 855–869.
7.
LightC (2015) From a duty to retreat to stand your ground: The race and gender politics of do-it-yourself-defense. Cultural Studies ↔ Critical Methodologies15(4): 292–298.
8.
LongLJ (2021) The ideal victim: A critical race theory (CRT) approach. International Review of Victimology27(3): 344–362.
9.
McClanahanB (2020) Earth-world-planet: Rural ecologies of horror and dark green criminology. Theoretical Criminology24(4): 633–650.
10.
MeldrumRCLehmannPSFlexonJL (2021) Who would ‘purge’? Low self-control, psychopathy, and offending in the absence of legal controls. Crime & Delinquency67(10): 1582–1613.
11.
RafterNBrownM (2011) Criminology Goes to the Movies: Crime Theory and Popular Culture. NYU Press.
12.
RossPL (2007) The transmogrification of self-defense by national Rifle association-inspired statutes: From the doctrine of retreat to the right to stand your ground. Southern University Law Review35(1): 1–46.
