This article uses the arrest and conviction of Australian Schapelle Corby (for smuggling drugs into Indonesia) to articulate and explore the mediation of criminal `events' across borders, bodies and technologies. As such, connections are drawn to the resurgence of nationalistic and neocolonial discourses within the contexts of globalization and the `war on terror'. Working at the intersections of gender, race, border control and national identity, the Corby phenomenon is taken as a political drama of visuality and nationality that equates bodily security with regional integrity. Thus this article necessarily tracks the persistence of the body of the white female as a unit of currency in the aggressive adherence to historical tropes of nationalism. The mediation of Schapelle's `criminal' body is shown to deploy a corporeal lexicon of terror through which the celebrity prisoner articulates tensions and changes in bilateral relations with Indonesia.
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