The shift to an entrepreneurial city has inaugurated changes in the surveillance and
control of urban space through a myriad of technologies and legal-moral ordering
practices. This has occurred as cities attempt to reimage and remarket themselves in
the context of regional, national and international inter-urban competition for
capital investment. A re-emphasis on the visual in the politics of the street
underpins changes in the primary definition over urban spatiality and statecraft.
This article examines these powerful definitional processes as a strategy to create
visually pleasing space that is impacting on discourses and practices of
surveillance that target forms of ‘crime’ and
‘incivility’ and contribute to the spatial production process
itself. It is argued that in producing urban spaces of an entrepreneurial kind,
contemporary surveillance practices need to be placed within wider debates about
continuing urban inequality and the meaning of spatial justice.
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