Abstract
This essay explores the work of women who shaped the collection of the Smithsonian’s Anacostia Community Museum: Historian and Director of Research Louise Daniel Hutchinson (1928–2014), Curator Portia James (1953–2015), and Historian Gail S. Lowe (1950–2015) whose exhibitions and projects built a rich community-based collection. Hutchinson’s work during the formative years of 1974 to 1986 elevated local voices in the research process and brought educator, Anna J. Cooper (1858–1964) out of obscurity. Portia James’ including community voices and perspectives in the exhibition process, resulting in her most celebrated exhibitions: Black Mosaic: Community, Race, and Ethnicity Among Black Immigrants in Washington, D.C. (1994). Her project amassed a large amount of oral history interviews, photographic documentation, and research files. Gail S. Lowe’s projects expanded the museum collection to include national and international voices on issues that resonated with the local community. Her exhibition exploring contemporary African American religious traditions, generated primary research materials on diverse faiths and spiritual traditions espoused by African Americans in Washington, D.C., and selected cities across the country. The collective work of all these women generated a wealth of resources and invaluable information that continues to be consulted by scholars and the public.
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