Approaches the ways that exhibitions are produced for particular groups of people, as well as how communities themselves may be formed through curatorial acts of framing and mediation, including the rearticulation of social spaces as a component of radical curating (Wiman), how curators may incorporate traditionally excluded communities in scientific projects (Parry), and one curator's negotiations with a local community's notion of “authentic” boricua identity (Rodriguez-Lawton).
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