Approaches contemporary issues related to engagement in exhibitions, including collaboration in visual art (Markopoulos), the incorporation of local indigenous groups and philosophies into museum praxis (Shel-ton), and envisioning how audiences can interact with African arts at Toronto's Royal Ontario Museum (Forni).
Get full access to this article
View all access options for this article.
References
1.
AlvaresClaude2006. Multiversity: Freeing Children from the Tyranny of Schooling.Goa, India: Other India Press.
2.
BishopClaire (ed). 2006. Participation.Cambridge, MA: The MIT Press.
3.
BrensonMichael1998. “The Curator's Moment,”Art Journal, Vol. 57, No. 4: 16–27.
4.
ButlerShelley1999/2008. Contested Representations: Revisiting Into the Heart of Africa.New York, NY: Taylor & Francis Group, Gordon and Breach Publishers.
5.
CannizzoJeanne1991. “Exhibiting Cultures: ‘Into the Heart of Africa,” in Visual Anthropology Review. Vol. 7, No 1.
6.
CliffordJames2007. “Quai Branly in Process” in October, Vol. 120: Spring.
7.
ColePeter2002. “Aboriginalizing Methodology: Considering the Canoe.”Qualitative Studies in Education. Vol. 15, No 4.
8.
FarquarhsonAlex2003. “I Curate, You Curate, We Curate,” in Art Monthly. Issue 269: September.
9.
FuscoCoco1995. English is Broken Here: Notes on Cultural Fusion in the Americas.New York, NY: The New Press.
10.
JacksonShannon2011. Social Works: Performing Art, Supporting Publics.New York, NY: Routledge.
11.
KasfirSidney1992. “African Art and Authenticity: A Text without a Shadow” in African Arts. Vol. 25, No. 2: April: 40–53.
12.
KerrClark2001. The Uses of the University: Fifth Edition.Cambridge, MA: Harvard University Press.
13.
O'NeillPaul. 2007. “The Curatorial Turn: From Practice to Discourse,” in RuggJudith, and SedgwickMichele (eds), Issues in Curating Contemporary Art and Performance.Chicago, IL: Intellect Ltd.
14.
SchildkroutEnid1991. “Ambiguous Messages and Ironic Twists: Into the Heart of Africa and The Other Museum,” in Museum Anthropology, Vol. 15, No. 2.
15.
SheltonAnthony2009. “The Public Sphere as Wilderness: Le Musée du Quai Branly,” in Museum Anthropology. Vol. 32, No. 1.
16.
Van der WerfHuib Haye. 2005. “Come Together: The Artist and the Curator,” in Manifesta Journal. No. 5: Autumn/Winter.
