Abstract
The Shahyad monument, which has served as a symbol of Tehran—and by extension of modern Iran—since its inauguration in 1971, stands at the center of a huge open space that has been successively appropriated by Pahlavis, revolutionaries, and the Islamic Republic and has been persistently mediated and remediated in its relatively short life. This contested urban monument embodies the complex story of a space in which multiple sets of illusions—a Pahlavi fantasy as well as a revolutionary dream—are undone. In this paper, the space’s story is traced through varied types of media and archival material, including plans and architectural drawings, official reports and correspondences, and especially through journalistic photographs of the Square in 1979 and its representation in various media afterward. I examine shifts in this specific space at particular and historically grounded conjunctures, honing in not just on the site’s meta-narratives and its grand spectacular events, but also on the decentralized and ignored narratives and histories, demonstrating how they have reworked the meaning of this monumental space, turning it into a stage for contrarian politics. Focusing on the monument during the 1978-79 Revolution, I argue that the transformations in the meaning and perception of the site at that particular moment are indeed forces of a fundamental remaking, in that they open up the monumental site to further appropriations, as we are currently witnessing.
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