In this mixed-genre paper, I bridge the aesthetic sensibilities of rasquachismo, domesticana, and bricozaje and present them as visual manifestations of autohistoria-teoría. Using an arts-based methodology of nepantlando, or theorizing through creative acts, I present a diario visual (visual diary) that explores the colors Maya Azul and Rosa Mexicano. The culmination is a conversation of image and text, or a visual plática. In this visual/text remix, Fabuloso, a popular Mexican cleaner, and the act of household cleaning are elevated to a scared space through a devotional candle. Engaging in visual theorizing through lived experiences, the significance of this study lies in the process of theory-making and multi-faceted ways of knowing. In addition to academic text, I use visual imagery, art practice, and performative text, as a way to theorize.
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