This essay is a contribution to Autoethnography as a qualitative method drawing on site visits over a decade in Mexico examining a musical-performative tradition called Son Jarocho. Melding together elements of memoir, reportage, and narrative travelogue—it seeks to provide an exemplar of a scripting technique, entitled “Autoethnographic Encounters.” (hereafter AE). Contextual information is provided in end notes. Each AE represents one moment in the unfolding of a typical narrative arc: Exposition/ Inciting Event (AE1 in this essay); Rising Action (AE2 in this essay); Climax (AE 3 in this essay) and Falling action / Resolution (AE4 in this essay).
Broyles-GonzalezY.HernandoR. F.GonzalezF. (2022). Mario barradas and son jarocho: The journey of a Mexican regional music. The University of Texas Press.
2.
KohlR. (2007). Ecos de La bamba: Una historia etnomusicológica sobre el son jarocho de Veracruz 1946–1959. IVEC.
3.
KohlR. (2023). Reflections on the Veracruz son jarocho: Images, politics and selected themes of a Mexican music and dance tradition. Peter Lang.
4.
NietoA. M. (2018). Musical mobilities: Son jarocho and the circulation of tradition across Mexico and the United States: Routledge.
