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Abstract

In this essay, Tami Spry’s impact upon performance, performance studies, and qualitative inquiry writ large is explored through three interrelated concepts found in her work: bodies, space, and matter.

Keywords

autoethnography ethnographies methodologies performance performance studies embodiment

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References

Spry

(1997). Skins: A daughters (re)construction of cancer. Text and Performance Quarterly, 17, 361–365.

Spry

(2011). Body/paper/stage: Writing and performing autoethnography. Routledge. https://doi.org/10.4324/9781315432816

Spry

(2016) Autoethnography and the other: Unsettling power through utopian performatives. Routledge. https://doi.org/10.4324/9781315545356

Spry

(2023). Performative autoethnography: A matterphor of things. In Gingrich-Philbrook

Simmons

(Eds.), Research methods in performance studies (pp. 135–153). Routledge. https://doi.org/10.4324/9781351044790-15

Pushing Walls With Tami Spry

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